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Finally, the secret is out! I am one of four members of the new Google+ Hangout book club “Bibliomancy for Beginners.” This week, our book was John Connolly’s The Book of Lost Things. Below you’ll find my review, and after that the YouTube video of our hangout. Next week we’ll be doing The Innocent Mage by Karen Miller, and you should totally come hang with us! I’ll announce when the next chat is right here on the blog.

The Book of Lost ThingsThe Book of Lost Things by John Connolly

Goodreads | Amazon

High in his attic bedroom, twelve-year-old David mourns the death of his mother, with only the books on his shelf for company. But those books have begun to whisper to him in the darkness. Angry and alone, he takes refuge in his imagination and soon finds that reality and fantasy have begun to meld. While his family falls apart around him, David is violently propelled into a world that is a strange reflection of his own — populated by heroes and monsters and ruled by a faded king who keeps his secrets in a mysterious book, The Book of Lost Things.

Taking readers on a vivid journey through the loss of innocence into adulthood and beyond, New York Times bestselling author John Connolly tells a dark and compelling tale that reminds us of the enduring power of stories in our lives.

4 stars

This book was not something I’d usually read, but thus is the purpose of our book club. I thought the blurb was interesting, but was a little unsure of what would happen from there. What I found was a pleasant surprise.

Twelve-year-old David is fairly believably written for his age, despite the fact that this book isn’t meant for middle grade or ya readers. His relationship with his mother and his reaction to her death tore at my heart. When his father remarries, to a woman with whom he fights all the time, and David gets a new step-brother, the way he deals with it never comes across as trite or overblown, as is sometimes the case with the way younger characters are written.

I’m still not quite sure how David ends up in what I’ll call “fairy tale land” for lack of a better phrase. I honestly can’t remember if it has a name in the book. Anyways, all of the sudden David is popping out a tree knot in a forest and there’s human-wolf hybrids after him. Thank goodness there’s the Woodsman there to save him. The villain of the story, the Crooked Man, hides the tree that has the portal in it from David, however, so he can’t go back, and the Woodsman says that only the dying king of the land can help him get back home now, so they set off on a quest to find the king and get David home.

For a while, it really did seem like the plot was relying on the questing motif way too much. David was on a journey and obstacles popped up around it, but he never really deviated from his goal. Each obstacle was present as unrelated to the other, so at times they felt quite disconnected and in some places unnecessary y. I will say, though, that of all these the Communist seven dwarfs and the fat, mean Snow White were the best part–of the quest and of the entire book. I don’t want to spoil anything, but seriously guys. Just mull that over. Fat and mean Snow White and the Communist Seven Dwarfs.

When David finally reaches the castle and finds the king, however, things really start to get rolling. All of the questions are answered, and more broader ones that make you think are asked. I didn’t think that this was going to tug at my heart strings as much as it did. In the end, I just wanted to hug David and hug the king and … basically hug everyone but the Crooked Man, who I wanted to stab repeatedly for putting the kid through everything. This is a stand alone, so the end wrapped everything up neatly–some might say too much so, but I don’t agree. Usually I like messy endings myself, but it was the epilogue that really did me in so no complaints there.

I’d really recommend this one if you’re looking for a fairy tale that isn’t for children. This really isn’t for people the age of the protagonist, trust me. Its themes and its messages ring much truer to the adult ear, and the prose is meant for that. It was a great bridge for me between the children’s stories I love and the adult novels I should really read more of.

Curious what me and my friends had to say? Want to laugh at the fools that we make of ourselves? Well, watch the video! (The first 9:20 of this is technical difficulties and giggles. For the actual book club part, skip right to about the 9:20 mark.)


The Enternity CureThe Eternity Cure (Blood of Eden #2) by Julie Kagawa

Goodreads | Amazon

Allison Sekemoto has vowed to rescue her creator, Kanin, who is being held hostage and tortured by the psychotic vampire Sarren. The call of blood leads her back to the beginning—New Covington and the Fringe, and a vampire prince who wants her dead yet may become her wary ally.

Even as Allie faces shocking revelations and heartbreak like she’s never known, a new strain of the Red Lung virus that decimated humanity is rising to threaten human and vampire alike.

3 1/2 stars

Thanks to NetGalley and HarlequinTeen for this eARC! This title is now available.

WARNING: There WILL be spoilers for the first book! Check out my review of The Immortal Rules if you’re interested!

I went into this book knowing that nothing could be as good as the first book in this series. This is because, a, I went into a complete flail attack over The Immortal Rules and, b, second book syndrome is so rampant lately that I just couldn’t get my hopes up. So I guess,  in that way, I got exactly what I expected.

The book picks up with Allie having just been kicked out of Eden, on her way to finding Kanin. It takes a little while for it to get started, what with her just roaming the countryside and all that. Her nighttime visions of Kanin are seriously creepy, and keep the stakes up while Allie attacks dingy bars and skulks around “Old D.C.” Instead of finding Kanin, however, she first finds her old nemesis, Jackal. He has a proposition of friendship for her–and if she doesn’t accept, he’ll kill her.

Again, this book takes a little while to get started, but once the character of Jackal is introduced all is forgiven. I don’t understand how I can love him so much after what he did in the first book, but his comic relief and sarcastic personality is just the greatest thing ever. At the same time, though, he acts as a great foil for Allie’s continuing struggle with what it means to be a monster. I thought Jackal was the funniest thing ever and loved him, but I never totally trusted him not to go killing everything, and I was very impressed on how Kagawa wrote that balance.

I think my real problem with this book is that it seemed to be going backwards, both in terms of location and characters. At the end of The Immortal Rules, Allie had made it from New Covington to Eden, and the book ended with a fight with Jackal. This book starts with her leaving Eden, meeting Jackal, and then travelling with him to New Covington. The final showdown even takes place in the lab where Allie learned how to be a vampire in the first book.

Closer to the end, the characterization starts to get a little weird as well. Kanin, Allie and Jackal are extremely well done, but some other characters that crop back up seem to come back as weirdly different people. One of these people is Zeke, of course, though he is absent for the first part of the book as per the “middle book syndrome” formula. He’s similar to the Zeke from the first book, but also different, in ways that are weird since he spent time being primped and pampered in Eden. Also, some of the plot twists later made with  his character pop up as “haha gotcha” half jokes clearly just shoehorned in for the sake of the plot. The character of Stick also pops back up, and his transformation is even more severe. Half of it I get, half of it I don’t, but either way his character leaves a bad taste in my mouth.

I guess I’m just frustrated with how much of this seemed like filler. In the end, I’m not sure how much was accomplished besides making Sarren even angrier and establishing Jackal as a character. Granted, I enjoy Jackal very much, but still. And then there is the matter of the ending, which…grr. I don’t understand the point of making us think someone is dead if you’re going to reverse that in the next chapter, and make THAT the last chapter of the book. Where’s the cliffhanger there? It makes the next book a little more predictable, and I’m not entirely a fan of where I think it’s going.

All in all, I demoted this one a full star from what I rated it’s predecessor, but I still really think these books are worth a read. Despite my plot problems, Jackal made this book for me, and it was still an enjoyable read. I also have complete faith that Kagawa is going to get back to her blowing-me-away style in the next and last book. I know vampires are getting a bit passe, but these are still definitely on my recommendation list.


The EliteThe Elite (The Selection #2) by Kiera Cass

Goodreads | Amazon

Thirty-five girls came to the palace to compete in the Selection. All but six have been sent home. And only one will get to marry Prince Maxon and be crowned princess of Illea.

America still isn’t sure where her heart lies. When she’s with Maxon, she’s swept up in their new and breathless romance, and can’t dream of being with anyone else. But whenever she sees Aspen standing guard around the palace, and is overcome with memories of the life they planned to share. With the group narrowed down to the Elite, the other girls are even more determined to win Maxon over—and time is running out for America to decide.

Just when America is sure she’s made her choice, a devastating loss makes her question everything again. And while she’s struggling to imagine her future, the violent rebels that are determined to overthrow the monarchy are growing stronger and their plans could destroy her chance at any kind of happy ending.

3 1/2 stars

Alright, I’ll be totally honest. I read this book in 3 hours while my parents left me stranded in a two stories B&N, and I couldn’t afford to pile anymore books. After The Selection, I was really iffy on this book. I liked the first one, but I was really conflicted about the characters. This was more of the same.

To quote an internet meme, things escalate quickly when The Elite gets started. As far as I can tell, this escalation comes about strictly to create tension between Maxon and America, since she seems to be leaning pretty heavily towards him instead of Aspen.  The character that instigates this tension is forcibly introduced in the first chapter, and there seems to be no basis for anything that happens besides it moving the love triangle along (and eventually making it a love quadrangle).  This was a frustrating starting point that basically continued throughout the rest of the novel.

I love the character of America, I really do. When she’s on her own, she is a fiercely independent woman who fights for what she thinks is right and has real considerations for the consequences of her actions. As far as I can tell, the things that keep screwing up her character are Maxon and Aspen. When her decisions involve either of them, she becomes a simpering, indecisive Mary Sue who’s emotional reactions are the most poignant when she expresses jealousy. When she’s alone, she has serious debates about the two of them and makes up her mind which one to choose multiple times. But then she gets back together with the other one and her mind gets scrambled by their maleness.

At this point, I don’t like either Maxon or Aspen. Aspen, for most of this book, was once again a background character. I have a hard time remembering why she cares about him, simply because none of his qualities are ever given a chance to shine, negative or positive. Maxon, on the other hand, I can’t keep straight. The attempt to give his character more depth in this novel just made him seem completely bipolar. One minute he cares, one minute he doesn’t (or does he?).  He’s so wishy-washy I want to wring him out like a dish towel. I liked him the best after The Selection, but I’ve pulled away from that a lot now.

And his character wasn’t the only one that turned bipolar, either. There were several major players who seem to have woken up at random moments with no idea of who they were previously for the sake of the plot.

Except, that is, America’s maids. Can I get a whole book just with them, please?

There’s also the fact that I still understand nothing about the rebels everyone keeps talking about. This book also reminded me there’s supposed to be some kind of a war going on with New Asia as well. America herself blows off any attempt at getting any information about any of these conflicts, so we can’t learn anything through her. Anything outside the walls of the palace is shakily world built at best, and it leaves me feeling like the wars going on outside the palace and the attacks by the rebels really aren’t important or dangerous at all.

I am really just so torn about this book. On the one hand, America without Maxon or Aspen around is a great character, the kind I want as a best friend. Every time I get annoyed with the rest of the novel, I get a scene with her and it just makes everything better. But then Maxon or Aspen show up and she becomes this different person that just annoys me, and I just want to smack her. Every time she talks about how she loves them both equally I just want to hit my head on the desk, especially because at times she seems so sure about making a decision, but then backtracks on it just as fast. The characterization in these novels just keeps throwing me off, and that makes me really upset. Can these rebels that I still know nothing about just off Maxon and Aspen and leave America to lead the country on her own? Because that would be the best book ever.


The Obsidian MirrorThe Obsidian Mirror (Chronoptika #1) by Catherine Fisher

Goodreads | Amazon

Jake’s father disappears while working on mysterious experiments with the obsessive, reclusive Oberon Venn. Jake is convinced Venn has murdered him. But the truth he finds at the snow-bound Wintercombe Abbey is far stranger … The experiments concerned a black mirror, which is a portal to both the past and the future. Venn is not alone in wanting to use its powers. Strangers begin gathering in and around Venn’s estate: Sarah – a runaway, who appears out of nowhere and is clearly not what she says, Maskelyne – who claims the mirror was stolen from him in some past century. There are others, a product of the mirror’s power to twist time. And a tribe of elemental beings surround this isolated estate, fey, cold, untrustworthy, and filled with hate for humans. But of them all, Jake is hell-bent on using the mirror to get to the truth. Whatever the cost, he must learn what really happened to his father.

2 1/2 stars

Thanks to NetGalley and Dial Publishers for this eARC! This title is now available.

I am usually pretty easy to please with world building. As long as I know enough to keep me up to date on the lingo of the story, I’m fine. If the story can whizz by so fast the world building is not necessary, I never require it. But when a book keeps chucking terms and events at me with absolutely no explanation? Then I get annoyed.

I was out of my depth with this book from almost the first moment. There are multiple storylines for multiple characters straight from the gate. The character of Jake is by far my favorite, just because everything he does makes sense and he never uses fancy words. I start to lose it, however, with the introduction of Sarah. She lands in a field from out of nowhere, starts shouting names of people we’ve never met, is suddenly being chased by a wolf that is not a wolf (or is it?) and gets into the home of Jake’s godfather by pretending she’s an escaped crazy patient (or is she?). There’s talk of time travel and replicants, which gives this a distinctly scifi feel, but then we also get introduced to the Shee, which are basically fairies. Confused yet? Because at this point my head was just exploding—and this isn’t even the half of it.

I was never able to get into the groove of this book, because I only ever got half of what was going on. Every attempt I made to get into the flow was instantly thwarted by a new term or concept or event that I didn’t understand the basics of.  I will say, though, that Fisher did a masterful job of tying everything together in the end of the book. Things that had been confusing before suddenly made a lot more sense, even as new befuddlements cropped up. Still, if I hadn’t been reading this for review, I probably would never have made it that far into the book. I was so frustrated for so long that I almost stopped reading.

That being said, the characters in this book had very obvious motives for everything that happened, with the exception of the butler who is still a mystery to me. Jake is searching for his lost parents, Sarah wants to rescue her parents, Venn wants to save his wife, Wharton wants to protect Jake, etc. They all have very human reasons for what they do, and I never question their actions, even when they have negative consequences. It’s rare that a cast this large has that as an almost universal quality, and that impressed me.

This book could be a great read for someone with more patience with me, or maybe the ability to read between the lines better than I can. For me, though, I just didn’t have the patience to wait for things to be explained to me until literally the falling action of the book. The concept was an interesting one, but it quickly soured on me when I couldn’t get into the action—which was plentiful—because I still had no idea how anything worked. If I can get an ARC of the next book, then I might read it for the sake of the characters, but it won’t be a must grab for me.


AsunderAsunder (New Soul #2) by Jodi Meadows

Goodreads | Amazon

DARKSOULS
Ana has always been the only one. Asunder. Apart. But after Templedark, when many residents of Heart were lost forever, some hold Ana responsible for the darksouls–and the newsouls who may be born in their place.

SHADOWS
Many are afraid of Ana’s presence, a constant reminder of unstoppable changes and the unknown. When sylph begin behaving differently toward her and people turn violent, Ana must learn to stand up not only for herself but for those who cannot stand up for themselves.

LOVE
Ana was told that nosouls can’t love. But newsouls? More than anything, she wants to live and love as an equal among the citizens of Heart, but even when Sam professes his deepest feelings, it seems impossible to overcome a lifetime of rejection.

In this second book in the Newsoul trilogy, Ana discovers the truth about reincarnation and will have to find a way to embrace love and make her young life meaningful. Once again, Jodi Meadows explores the extraordinary beauty and shadowed depths of the soul in a story equal parts epic romance and captivating fantasy.

4 1/2 stars

There was no way I could love this book as much as I loved Incarnate. I just had to accept that fact before I cracked the spine. The second books in series’ have a hard time measuring up as a rule. There was also no way that anything could replicate the absolute gush of emotions that Incarnate stirred up in me. With that in mind, I was ready to accept Asunder as it came. Honestly, it came pretty darn close to Incarnate.

The shining light in these books is Ana, and that stayed true for the entirety of Asunder. In a world of books where I can tell the main character is the imagination of the author, I always feel like she is a real person. She isn’t perfect, and she is always growing. I am constantly amazed that Meadows can show just how young she is compared to all the other souls in Heart, yet it never seems like a bad thing. Every other time authors have tried to make young adult characters act young, they tend to end up whiny and annoying. Ana’s inexperience and ignorance keeps her real, and can sometimes be a strength. Her relationship with Sam sometimes verges on being clichéd true love, but every time Meadows reins it in and reminds us of the age gap or another obstacle that they have to work through.

Sam, on the other hand, I’m a little bit frustrated with, though I can’t tell if that’s the reaction I’m supposed to have or not. I say that because he’s obviously frustrated with himself, and what he wants from his and Ana’s relationship and what the societal conventions are telling him. Hopefully, his choice at the end of the book is going to clear this up. What choice you ask? Don’t be ridiculous, that’s a spoiler.

The plot of this book was overall really amazing. I didn’t get the same amount of wow factors as I did in Incarnate until the end of the book, but that also may because I was more familiar with the book. Some very interesting characters were introduced, which kept subtly playing with the themes of love and relationships that I gushed over in the first book—and were also just awesome. I will say that I saw almost every plot twist coming, or at least figured it out early enough into the device that it felt that way. I’m still really conflicted about how the book ended as well, but I can’t talk about that because SPOILERS. If you felt the same, give me a shout out on social media or something and we can chat about it!

All in all, Meadows continues to delight me with every page, and this series is definitely one of my new favorites. I never usually have a huge connection to main characters, but I so wish Ana was real so we could be best friends—she certainly feels real! I respect every decision Meadows has made with Ana, Ana and Sam’s relationship and the general themes about love that run throughout the book. In multiple reviews I have asked authors to write a believable teen character and a real romance that doesn’t need a love triangle to thrive, and Meadows has gone over and above my wildest dreams. My heart may be rent asunder when I get to the end of the final book.


TakenTaken (Taken #1) by Erin Bowman

Goodreads | Amazon

There are no men in Claysoot. There are boys—but every one of them vanishes at midnight on his eighteenth birthday. The ground shakes, the wind howls, a blinding light descends…and he’s gone.

They call it the Heist.

Gray Weathersby’s eighteenth birthday is mere months away, and he’s prepared to meet his fate–until he finds a strange note from his mother and starts to question everything he’s been raised to accept: the Council leaders and their obvious secrets. The Heist itself. And what lies beyond the Wall that surrounds Claysoot–a structure that no one can cross and survive.

Climbing the Wall is suicide, but what comes after the Heist could be worse. Should he sit back and wait to be taken–or risk everything on the hope of the other side?

Four stars

Thanks to Edelweiss and HarperTeen for this eARC! This title is now available.

There have rarely been books that have tossed me for this much of a loop. Whether or not that’s a good thing is still undecided.

See, Taken starts off with a pretty interesting concept. It’s up there in the blurb, so I’m not going to rehash it. The book opens up with Gray’s brother being Heisted and general shenanigans and of course there’s a girl that Gray has the hots for. Honestly, though, warning bells started going off in my head from the second after Blaine the brother is Heisted because it seemed to me that the most interesting thing about the book was the concept of being Heisted. The action that happens after, with Gray and Emma, is boring and seems to be forced filler to establish a relationship between the two of them so that the rest of the stuff has impact and a preface. While I appreciate this attempt to give the two lovebirds a history, it didn’t really work where it was placed and I got pretty bored pretty quickly.

Since the blurb is so vague about it, I can’t even tell you whether or not Gray goes over the wall without being intentionally spoiler-y, but I CAN say that eventually Gray wakes up and realizes that something was seriously weird about his brother’s Heist and goes in search of answers. In the process, many more details about the concept of the Heist is introduced which confirm my earlier assumption that this is a really cool concept.

Throughout it all, however, the characters are fairly eh. There is no one with a great deal of personality that I really loved, but I didn’t dislike anyone either (except for Emma). Every action seemed very believable (except for Emma). Gray actually really grew on me as the story went on, which is hard for characters to do.

Now, about that loop…

See, I can’t really say anything because people will be all SPOILERS on me. But let’s just say that the romance aspect of this novel starts off iffy and then gets worse. Then Gray seems to realize that Emma is the worst and does his own thing for a little while. Then the romance gets worse. But just when I thought Bowman was setting us up for the worst possible cliché I can think of, the end of the book happens and she’s like actually no, I’m going to go for a more real people thing. WHICH I LOVE.

HAH. Vague without spoilers like a boss.

All in all, I think the world building was great and the characters were alright. None of the plot twists were all that twisty to me, but I was still pleasantly surprised at points and I liked that. If you’re in the mood for more guy driven plot with a unique premise then give this one a go!


Black CityBlack City (Black City #1) by Elizabeth Richards

Goodreads | Amazon

A dark and tender post-apocalyptic love story set in the aftermath of a bloody war.

In a city where humans and Darklings are now separated by a high wall and tensions between the two races still simmer after a terrible war, sixteen-year-olds Ash Fisher, a half-blood Darkling, and Natalie Buchanan, a human and the daughter of the Emissary, meet and do the unthinkable—they fall in love. Bonded by a mysterious connection that causes Ash’s long-dormant heart to beat, Ash and Natalie first deny and then struggle to fight their forbidden feelings for each other, knowing if they’re caught, they’ll be executed—but their feelings are too strong.

When Ash and Natalie then find themselves at the center of a deadly conspiracy that threatens to pull the humans and Darklings back into war, they must make hard choices that could result in both their deaths.

4 stars

This review was completed by Michaela from The Pied Piper Calls! Thanks to her for this wonderful guest post (which I made her do because she stole this off my bookshelf because what else are roomie’s bookshelves for? But I digress)…!

Well, it wasn’t a bad book, but it wasn’t mind blowing.

I had the enormous revelation at the beginning of the novel that it was a less tragic Romeo and Juliet but with vampires, well “darklings”. I wasn’t far off. (Calling back memories of Rosencrantz and Guildenstern are Undead: a movie filled with terrible literature puns involving vampires)Of course we have our star crossed lovers. The daughter of the cities emissary the son of the king of the darklings.

I will say that there was a strong point in the characters. I had emotional attachments to almost all of them. If I didn’t love them for their quirk or their humor I hated them because they were ignorant sheep being led to a slaughter by their government. Personally I have an affinity to love the secondary characters more than the protagonists. No offense to the protagonists they still kick butt but I would rather curl up with their best friends. The same is true for this novel.

While Ash our dashing darkling is suave even in the times when he is imbecilic, his best friend Beetle’s struggle with drug addiction and his choices in the past interested me far more. Likewise, while I could relate completely to Natalie in many ways and was utterly confused in others her best friend Day and her sister Polly were more heart warming. All of the characters were well developed and showed growth. They were realistic and both lovable and hate-able in all the right ways. Let’s leave that be for a moment and talk about the other aspects of the novel.

The world building was alright. It has some of the classic dystopian elements: a world ravaged and scarred by war, the people divided, a government the performs atrocious experiments on their citizens, a courageous group of youngsters ready to stand up in arms against oppressive government that doesn’t care about them, you know, the usual. None of the themes here were particularly alien to me so it was a comfortable environment to be in. You knew pretty much what to expect.

The one problem I found with this book is that it was extremely predictable. I saw all of the little signs left for me to connect the dots. The problem with this style of writing is I always get the feeling that the author thinks their readers are dim. Thinking that the readers wouldn’t get the idea if all of the signs are lain out in front of them with flashing neon lights surrounding them. Ooh ooh look this is important, Chekhov’s gun. While she does indeed tie them in to the story, it was slightly distracting to sit and wait for them to become important.

There were a few other things that took me off guard. Small things that were distracting but not really important but could have been easily mended. Those of course are just knit picky things.

Overall I enjoyed the book, and I did call out shenanigans when one character decided to be a dumb ass. It was a good read in an interesting world even if it was predictable and dare I say it unoriginal. You can read this book in countless other books in the genre, of course then you won’t get to know the beauty that is Beetle and his Aunt Roach. Give it a go if you like paranormal romance of the temperate nature.


Vengeance boundVengeance Bound by Justina Ireland

Goodreads | Amazon

The Goddess Test meets Dexter in an edgy, compelling debut about one teen’s quest for revenge… no matter how far it takes her.

Cory Graff is not alone in her head. Bound to a deal of desperation made when she was a child, Cory’s mind houses the Furies—the hawk and the serpent—lingering always, waiting for her to satisfy their bloodlust. After escaping the asylum where she was trapped for years, Cory knows how to keep the Furies quiet. By day, she lives a normal life, but by night, she tracks down targets the Furies send her way. And she brings down Justice upon them.

Cory’s perfected her system of survival, but when she meets a mysterious boy named Niko at her new school, she can’t figure out how she feels about him. For the first time, the Furies are quiet in her head around a guy. But does this mean that Cory’s finally found someone who she can trust, or are there greater factors at work? As Cory’s mind becomes a battlefield, with the Furies fighting for control, Cory will have to put everything on the line to hold on to what she’s worked so hard to build.

2 1/2 stars

Thank you to Simon and Schuster and Edelweiss for this eARC! This title is now available.

There was a time I thought this book could be something great. There was a time I thought this concept was the best thing since sliced bread. But then everything fell apart.

The book starts out with the most awesome concept. This girl, Amelie, has a bit of a problem. There are a couple of Greek Furies in her head, and they constantly want her to kill people. Well, they call it “handing out justice.” (It’s still killing people, evil though they may be.) Amelie was once in a state of distress, and the Furies answered her call for help. Now she can’t get rid of them. Her entire family is dead. In the book’s prologue, we find her a medicated vegetable under the care of a doctor who isn’t helping at all—only hurting. The Furies help her escape, and then the book cuts to a couple of years later where Amelie, as “Cory,” is still in hiding, trying to track down that doctor to enact vengeance. However, the Furies are getting more powerful and threatening to take over her mind. So what does she do to stay sane? She enrolls in high school.

That chunk right there, which I just summarized, was the best part of the book. The sad thing is that it’s basically the first two or three chapters, and they’re all set up. I should have had alarm bells go off when Cory/Amelie decided that English class was more important than enacting justice on murderers, rapists and the like. But I kept reading on, so sweet was the promise of those first few chapters.

Enter Cory/Amelie’s trio of girl friends. Each one of them is more terrible than the last. One is a complete witch, the other is a surprise witch, and the other one is so emotionally unstable she is constantly having nasty little break downs. You’d think the Furies would be the only insane and malicious girls in this story, but you’d be oh so wrong. I hated every single one of them with a fiery, burning passion. Even Cory/Amelie didn’t seem to like them. They made little to no sense at all.

Then enter a boy named Niko, who actually makes the Furies stay quiet for once. Drum roll please for INSTA-LOVE! Other than the fact that he makes the Furies stay quiet, there is literally no reason of Cory/Amelie to be attracted to him. We never learn anything about him. His entire character is built to love Cory/Amelie for no reason. Literally none. He’s as flat as a piece of paper.

Last but not least, the ending. That wasn’t an ending. I had made it all this way, hoping and praying for redemption but I just started shouting. That wasn’t an ending. It was … convenient. There was no real triumph. There was no real end. Things were just … released to go as they would. There won’t ever be any retribution for it, either, because this is a stand alone. This is just … it. That wasn’t an ending.

Frankly, I’m just disappointed. I really am. The first two chapters had such great promise, but things fell apart so fast and never even tried to self correct. The characters were all completely 2-D, the love interest wasn’t a relationship at all, and that wasn’t an ending. I hoped and expected so much more from this. I had originally rated this 3 stars on Goodreads, but I think I’m actually going to stick with a 2.5 rating.


princessClockwork Princess (The Infernal Devices #3) by Cassandra Clare

Goodreads | Amazon

Tessa Gray should be happy – aren’t all brides happy?
Yet as she prepares for her wedding, a net of shadows begins to tighten around the Shadowhunters of the London Institute.
A new demon appears, one linked by blood and secrecy to Mortmain, the man who plans to use his army of pitiless automatons, the Infernal Devices, to destroy the Shadowhunters. Mortmain needs only one last item to complete his plan. He needs Tessa. And Jem and Will, the boys who lay equal claim to Tessa’s heart, will do anything to save her.

4 ½ stars

So this is it. And so soon after the end of Shadows in the Silence, too. I literally may die. I can’t handle this. Even if Cassie is going to be writing like a bajillion more Shadowhunter books.

This book starts out much like you might expect: Tessa is trying out a wedding dress, Jem’s in love, Will’s moody because all the women in his life seem to do is vex him and Benedict Lightwood has transformed into a giant bug thing because of demon pox.

Oh wait. No, I wasn’t expecting that last bit there.

The inciting incident of this novel is, in fact, that Benedict Lightwood has becoming a giant bug demon and that he ate his son in law. Gabriel Lightwood has nowhere to go but the London Institute for help. Charlotte is of course going to give it to him, without telling the Clave because of the shame it would cause the Lightwood family. Let the games begin!

Interestingly enough, these events are also interspersed with correspondence between the Clave and the Consul, telling the Consul that they are considering Charlotte as the new Consul. The characters have no idea this is going on, but we get a sense that the Consul has bad plans for Charlotte to keep her from getting his job. Throughout the book, these letters will keep cropping up to advise us of where the Clave is in their plans and just exactly what the Consul is thinking without making him a major POV character. It was a really interesting device, and I think it worked really well.

If you were expecting all the feels with this book, though, you’d be right. There is not one character mentioned who doesn’t rip at your heart strings. (I know the cliché is tug at your heart strings. This is way too tame for this book.) Even Gabriel Lightwood realizes he has a soul. The relationship between Will, Jem and Tessa continues to build, to the point where I almost couldn’t stand the idea that she would pick one over the other. But more on that later.

The plot was pretty good in this one, if a little over laden with dialogue sometimes. The most gorgeous moments in this book do occur through dialogue, but even I wished sometimes that somebody would just kill something. At the same time, the amount of character development was striking and I would have hated to not have had a moment of it. But just don’t expect all that much action.

So I know the big thing here is: who does she end up with? Well, I’m not going to tell you, obviously. I WILL tell you that if you want to be surprised by the ending, don’t get curious as to why the inside of your hard cover book jacket sparkles. There’s a family tree in there that tells you all you need to know and I looked at it way too soon.

This is mostly for my folks who’ve already read the ending and want to know what I think, but without spoilers so those of you who haven’t can try to puzzle it out. I thought the ending was heartbreakingly perfect—until the epilogue. I’ve read Cassie’s explanation for why she added the epilogue, but I’m still not sure I like it. On the one hand, the romantic in me finds it absolutely perfect. On the other hand, the reasoning that led Tessa to make her original decision just broke my heart in all the right places. It said so much about the beauty of their whole relationship. I may have died inside when she made the choice, but I probably could have come to grips with it a lot faster than this whole epilogue thing.

This review has already gone on way too long, but I had to make this a perfect send off. I will always love The Mortal Instruments, but the level of writing in The Infernal Devices is just off the charts. I love the characters in TMI, but the TID characters just break my heart, and I can’t stand to see them go. Thank you for a breathtakingly beautiful story, Cassie. I have to go cry again now.


Mila 2.0MILA 2.0 (MILA 2.0 #1) by Debra Driza

Goodreads | Amazon

Mila 2.0 is the first book in an electrifying sci-fi thriller series about a teenage girl who discovers that she is an experiment in artificial intelligence.

Mila was never meant to learn the truth about her identity. She was a girl living with her mother in a small Minnesota town. She was supposed to forget her past—that she was built in a secret computer science lab and programmed to do things real people would never do.

Now she has no choice but to run—from the dangerous operatives who want her terminated because she knows too much and from a mysterious group that wants to capture her alive and unlock her advanced technology. However, what Mila’s becoming is beyond anyone’s imagination, including her own, and it just might save her life.

Mila 2.0 is Debra Driza’s bold debut and the first book in a Bourne Identity-style trilogy that combines heart-pounding action with a riveting exploration of what it really means to be human. Fans of I Am Number Four will love Mila for who she is and what she longs to be—and a cliffhanger ending will leave them breathlessly awaiting the sequel.

3 ½ stars

Thanks to Katherine Tegen Books and Edelweiss for this eARC! This title is now available.

I was pretty excited about this premise; I’ll be honest with you. I don’t read much scifi, and this seemed right up my alley. Then it begins like this:

Mila is a normal girl who has a hard time fitting in at school while trying to deal with the loss of her father, who was really close to her. Her mother has turned distant and her best friends are so mercurial they may not as well be called friends at all. (Actually, her “best friends” are so annoying that I really began to dislike them vehemently and hoped that whenever this robot thing actually broke they’d get trapped in a burning building or something.) But then she meets Hunter, the boy who finally gets her, and she starts to fall in love. Sound familiar? It should, because it’s a pretty basic plotline.

But oh, by the way, Mila isn’t human. She’s a robot.

Though it took a really look time to get to that point, which we were made aware of in the blurb, I was really hoping that Driza was going to take this opportunity to rip away from the basic young adult plotline she had going in the beginning of the book. For a while, I thought I was going to be right. When Mila finally starts coming into her robot own, she kicks serious butt. Hearing her android brain in her head was also really cool.

However, then certain events happen that I can’t tell you because it would be spoilers, and the plotline begins to re-conform a little bit. Oh yeah, the plot is still plenty crazy, but I can sniff out a cliché a mile away and this would has one coming on like a freight train. I can’t tell you what or I’d get in trouble for being spoilery. But I can tell you I’ll be forehead slapping coming the next book.

That said, however, I do like how Driza plays with the concept of “What is humanity?” The second half of the book is pretty darn amazing. This isn’t a book for softies, either. It isn’t graphic, but it isn’t light fluff. Mila. Kicks. Serious. Butt. And receives a bunch in return.

This all, however, fell apart from me in the end. In the second half of the book, there is a person who’s identity is “secret.” I have to be vague here, bear with me. But I put “secret” in quotation marks for a reason. The first second this person was mentioned, I knew who it was. How Mila is unaware I have no idea, but in the end I just kept shouting, “STUPID. STUPID. STUPID.” Mila can take out guys double her size but can’t put two and two together multiple times in this book, actually, and I just kept getting frustrated, and that kept me from loving it completely.

In summation, though, I would still recommend that you give this book a try if it’s something you think you’d be interested in. Driza doesn’t do a bad job in the slightest. I read this book straight through in one go because I was invested in the pacing of the plot. It’s certainly action packed! However, that said, if you’re on the fence about it, I wouldn’t be pushing you to pick it up.



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