Thesis Thursdays is a weekly(ish) feature where I rant, love and talk about young adult books I’m reading because I’m conning my college into thinking this is all for academia! Find out more here!
You heard that right, folks. Since the last time I made one of these posts … I did it. I wrote the first draft of my third chapter. It lives and breathes in the world, bringing my page total for the first draft up to 75 pages altogether.
The fight is far from over. In fact, I really should be editing right now. However, all of the initial hard work is … done. On top of that, my defense was just scheduled for next Wednesday, so time is really running out on this whole thing. I can see the finish line–for this, as well as school in general.
I think there are only going to be one more of these posts, considering that there will be a Thursday right after my defense. Wow. What am I going to do with my Thursdays now?
Well. Hang on. Back up. Let’s talk about this third chapter that just, as far as these posts are concerned, appeared out of nowhere. The working title is all over the place, because I don’t like it and it’s really long, but here’s the gist: big, traditional publishers exploit teen online engagement for their own marketing gains, but focus on what their research says will make the next bestseller and NOT the next good book. While authors can make use of these new media outlets these days, publishers ten to ignore them and instead create these debilitating feedback loops with their own marketing departments that keep us trapped within really bad trends.
Out of all three chapters, this is the first one that really made me … angry. Like, really angry. And all the stuff I researched and talked about, it’s nothing that I didn’t at least subconsciously know about YA publishing. But seeing it, reading it, understanding the depth of the madness–it’s just terrifying.
I write posts like In Defense of YA: We need a Rebellion of Our Own because I genuinely love YA, and I believe that the genre has a powerful role to play in literature if only we can rescue it from its dependence on tropeism and “what sells.” However, writing an essay like this and seeing how far the traditional publishers go to keep producing the next new megahit … it’s sad. I start to wonder if the whole idea of a rebellion isn’t just some cute idea. I start to wonder if YA is eventually going to implode on itself, and if I’ll have to watch the whole genre fall apart.
Not to be a total Debbie Downer, I guess that’s why I do this kind of research: because I think I can say something that someone can here. And my research did turn up a bunch of publishers doing really important and innovative things because they believe as I do. So, the battle isn’t lost. But, still.
I’ll probably come out with a From the Notebook video on Monday talking about how this paper literally made me consider deleting my blog and throwing in the towel on my participation in these schemes. Obviously, I only considered that for about 0.1 seconds before I threw the idea out entirely, because I love you guys and this community and I get excited about books and what we do. I could never leave.
But this paper did make me think about it. And other things.
Really wish I had time to process those things, but it is not this day. I have chapters to edit and other papers to write and graduation to get through. There will only be one more Thesis Thursday post, I think, and then I’ll try to figure out something new to do with the day. I’ll tell you guys all about my defense, and maybe wrap all this work up a but more thoroughly. For now, though, this post is the honest truth.
I hate YA. I love YA. I really, really want to fix it. Who’s with me?