I started out this blog talking about the two different parts of me, and how they work together. I’m going to end it by talking about how they stand apart. Granted, I’m going to be focusing more on my Writing major, just because the Poetics is a Writing Department class, but trust me when I say that the point I’m about to make is applicable to my English major too.
Yes, this post is required as a final project. Yes, there are question guidelines. I’m about to do a very odd thing and copy them out for you (sorry Professor. I swear there’s a reason for this):
- What do you make and is it similar in any way to the art practices we’ve read and/or talked about in class?
- Why do you make it, and do you see your ideas aligning with or being similar to the “why” of anyone we have read and/or talked about in class?
- What is the relationship of language to what you make, and is this relationship in any way similar to anyone we have read and/or talked about in class?
Using your digital archive and ideas, address
- What are your influences and how have they influenced what you have made up to this point? Who or what do you admire in your field, and why? (Use videos, images, other archives, etc.)
- What do you aspire to create, and what have you learned or encountered in class (if anything) that may affect your processes going forward? (Note: this can be a negative effect. That is, “Now that I’ve seen how horribly wrong thing XYZ can go, I want to avoid that route…)
- What was the most influential/important reading and/or concept to your own processes of making?
You know what I’m absolutely sick of? Realizing there are two ways I want to answer these questions. Then realizing that one of them is just another story I’m afraid to tell.
“What I mean is that within the University there could exist a relationship with word, language, thought, tradition, and power that might run counter to the relationship a poet might want to have with word, language, thought, tradition and power.” – Sarah Vap, End of The Sentimental Journey
Recently, in my Renaissance Literature class, the professor asked us what we were going to be reading over the summer. My answer would have been Sarah J. Maas’s A Court of Thorns and Roses. But I didn’t answer, because people starting saying “Milton” or “Absalom, Absalom.” My answer didn’t seem like it fit.
So, today, when I answer these questions, I’m not going to do any of us the disservice of lying or telling you half-truths. I’m going to tell you BOTH truths. I’m going to answer you from the
and from the
Bear with me.